See what your
episodes are worth.
Slide in your real numbers. The asset count comes from the production system. The booked-call band is a planning estimate with its assumptions on the table.
Moment and asset totals come from the ClipCompound production model: three selected moments and eighteen post-ready assets per episode. The booked-call band is a planning estimate, not a promise. Your results depend on your content, audience, offer, distribution, and follow-up.
The math that
actually matters.
Twelve finished clips, with captions, visual upgrades, alternate formats, and post-ready delivery.
Your estimated monthly asset count divided into the full Engine rate.
Two booked calls would put the $500 monthly Engine at roughly $250 per call.
These are operating assumptions, not performance guarantees. The free clip lets you judge the edit before you spend anything.
Cost per booked call,
side by side.
You’re not buying clips. You’re buying back the distance between what you record and what the world sees. Here’s what that costs side by side, using the same two-call month across common production paths.
The other-path figures are examples, not market-wide averages. Change the inputs in your own model before you make a buying decision.
One client
pays it back.
If one client is worth more than the production cost, the system can pay for itself. That is the economic test, not a promise that a client will close.
See the system on
your own footage.
One client pays it back. Everything after that is compounding. Send one episode, we cut one clip free, and the Impressed-or-Free Rule covers every step after: you watch the finished work before a dollar moves.